Course syllabus
Art History 203: Art and Devotion in Northern Europe.
SEMESTER 1, 2018
15 points
Course Convenor and Teacher:
Associate-Professor Iain Buchanan, Arts 1, Room 751
telephone: 3737599 ext. 87271
e-mail: i.buchanan@auckland.ac.nz
Course aims:
Art and Devotion in Northern Europe is a survey of art in Northern Europe with the focus on developments in painting and sculpture and to a lesser extent in manuscript illumination and tapestry. The emphasis is on the changes and developments of art within the Low Countries during the fifteenth and sixteenth centuries. Various themes such as religious symbolism, the techniques of painting, the portrait, and approaches to landscape representation will be examined, as well as the development of new genres such as still life and peasant subjects. There will also be study of major individual artists such as Jan van Eyck, Rogier van der Weyden, Hugo van der Goes, Hieronymus Bosch and Pieter Bruegel.
Each week there will be two lectures on the art of the period and one tutorial. The tutorial programme is intended to compliment the lectures and will address general themes such as the treatment of religious subjects, Italian attitudes to northern art, drawing and underdrawing, genre and low life painting, and Northern Mannerism.
Course delivery format:
2 hours of lectures and 1 hour of tutorial
(Timetable and room details can be viewed on Student Services Online)
Assessment Summary:
Weighting of assignments and due dates
20% test in week 7 - May 4th
30% essay due week 9 - May 18th
50% exam
Weekly Topics:
Two lectures per week held on Fridays at 10-12 pm.
Lecture Programme
The Fifteenth Century
March 02 Introduction: The Northern Renaissance as a Concept
Painting and Sculpture in Burgundy
09 Manuscript Painting in France
Robert Campin
16 Painting in Bruges (1): Van Eyck I
Van Eyck II: The Ghent Altarpiece
23 Rogier van der Weyden
Hugo van der Goes
Mid-semester Break 30 March-14 April
April 20 Painting in Bruges (2): Hans Memling
Painting in Bruges (3): Gerard David
27 Hieronymus Bosch I
Hieronymus Bosch II: The Garden of Earthly Delights
May 04 Class Test for 203 students
Dierick Bouts and Painting on Canvas
The Sixteenth Century
11 Introduction: Dürer's visit to the Netherlands in 1520-21
Painting in Antwerp: Quinten Metsys
18 Landscape Painting: Joachim Patinir
Jan Gossaert and Romanism
25 Pieter Bruegel 1
Pieter Bruegel II
June 01 Market Scenes: Aertsen and Beuckelaer
Painting in Haarlem: Hendrick Goltzius
End of Lectures
Study Break and Exams 2 June-25 June
Tutorial Programme
Weekly tutorials will be held at the locations and times to be announced
Tutorials will begin in the second week of the First Semester. The topics are as follows:
Week beginning
Week 02 Techniques of 15th Century Painting
03 The Altarpiece
04 Religious Subjects in Northern Art
Mid-semester break 30 March-14 April
05 Italian Attitudes to Northern Art
06 The Portrait in Northern Art
07 Drawing and Underdrawing
08 Guild and Workshop Practice
09 Landscape Painting
10 Printmaking
11 Genre and Low Life Painting
12 Mannerism in the Northern Netherlands
End of Tutorial Programme
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Prescribed Texts:
Coursebook available for purchase at UBS Bookshop from January 2018.
Recommended Texts:
General Readings
The two standard works on the period are:
Panofsky, E. : Early Netherlandish Painting, Its Origins and Character, 2 vols.
Friedländer, M. J. : Early Netherlandish Painting, trans. H. Norden, 14 vols( arranged according to artist, the volumes are listed under the individual artists below)
As both these texts were written quite some time ago they do not include any recent research findings. For this material see the reading lists.
A good new introduction is:
Nash, Susie: Northern Renaissance Art
Other useful general books are:
Cuttler, C. : Northern Painting from Pucelle to Bruegel
Snyder, J. : Northern Renaissance Art: Painting, Sculpture and the Graphic Arts from 1350-1575
Dunkerton, J, Foister, S, Gordon, D, and Penny, N,: Giotto to Durer. Early Renaissance Painting in The National Gallery
Campell, L., The Fifteenth Century Netherlandish Schools (This is the catalogue of early Netherlandish Painting in the National Gallery, London and contains valuable new information on Bouts, Campin, Van Eyck, Rogier and Memlinc.)
Campbell, L., The Sixteenth Century Netherlandish Paintings with French Paintings before 1600, 2 vols., (This is the new sixteenth century catalogue with valuable new information on Bosch, Gossart, Bruegel, Patinir and Beuckelaer among others)
De Patoul, B and Van Schoute, R,: Les Primatifs flamands et leurs temps ( In French, but the most up to date survey and very good colour plates)
Ainsworth., and Christiansen, K.,: From Van Eyck to Bruegel, exhibition catalogue, Metropolitan Museum, New York, 1998. A useful recent survey.
Harbison, C, : The Art of the Northern Renaissance ( a brief recent survey )
Stechow, W. : Northern Renaissance Art 1400-1600, Sources and Documents
Wolfthal, D. : The Beginnings of Netherlandish Canvas Painting 1400-1530
For painting techniques, the most recent and comprehensive account is:
“The Methods and Materials of Northern European Painting 1400-1550, in National Gallery Technical Bulletin, 18 {1997],pp. 6-55.
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Workload and deadlines for submission of coursework:
The University of Auckland's expectation is that students spend 10 hours per week on a 15-point course, including time in class and personal study. Students should manage their academic workload and other commitments accordingly. Deadlines for coursework are set by course convenors and will be advertised in course material. You should submit your work on time. In extreme circumstances, such as illness, you may seek an extension but you may be required to provide supporting information before the assignment is due. Late assignments without a pre-approved extension may be penalised by loss of marks – check course information for details.
Course summary:
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