Course syllabus
Art History 203/303: Northern European Art 1400-1600
Second Semester 2017, City Campus
Lectures: Wednesday 11-1pm.
Tutorial:
Lecturer: Associate-Professor Iain Buchanan, Arts 1, Room 751
Telephone; 373 7599 ext 87271; e-mail: i.buchanan@auckland.ac.nz
Course Aims
Northern European Art 1400-1600 is a survey of art in Northern Europe with the focus on developments in painting and sculpture and to a lesser extent in manuscript illumination and tapestry. The emphasis is on the changes and developments of art within the Low Countries during the fifteenth and sixteenth centuries. Various themes such as religious symbolism, the techniques of painting, the portrait, and approaches to landscape representation will be examined, as well as the development of new genres such as still life and peasant subjects. There will also be study of major individual artists such as Jan van Eyck, Rogier van der Weyden, Hugo van der Goes, Hieronymus Bosch and Pieter Bruegel.
Each week there will be two lectures on the art of the period and one tutorial. The tutorial programme is intended to compliment the lectures and will address general themes such as the treatment of religious subjects, Italian attitudes to northern art, drawing and underdrawing, genre and low life painting, and Northern Mannerism.
General Readings
The two standard works on the period are:
Panofsky, E. : Early Netherlandish Painting, Its Origins and Character, 2 vols.
Friedländer, M. J. : Early Netherlandish Painting, trans. H. Norden, 14 vols( arranged according to artist, the volumes are listed under the individual artists below)
As both these texts were written quite some time ago they do not include any recent research findings. For this material see the reading lists.
A good new introduction is:
Nash, Susie: Northern Renaissance Art
Other useful general books are:
Cuttler, C. : Northern Painting from Pucelle to Bruegel
Snyder, J. : Northern Renaissance Art: Painting, Sculpture and the Graphic Arts from 1350-1575
Dunkerton, J, Foister, S, Gordon, D, and Penny, N,: Giotto to Durer. Early Renaissance Painting in The National Gallery
Campell, L., The Fifteenth Century Netherlandish Schools (This is the catalogue of early Netherlandish Painting in the National Gallery, London and contains valuable new information on Bouts, Campin, Van Eyck, Rogier and Memlinc.)
Campbell, L., The Sixteenth Century Netherlandish Paintings with French Paintings before 1600, 2 vols., (This is the new sixteenth century catalogue with valuable new information on Bosch, Gossart, Bruegel, Patinir and Beuckelaer among others)
De Patoul, B and Van Schoute, R,: Les Primatifs flamands et leurs temps ( In French, but the most up to date survey and very good colour plates)
Ainsworth., and Christiansen, K.,: From Van Eyck to Bruegel, exhibition catalogue, Metropolitan Museum, New York, 1998. A useful recent survey.
Harbison, C, : The Art of the Northern Renaissance ( a brief recent survey )
Stechow, W. : Northern Renaissance Art 1400-1600, Sources and Documents
Wolfthal, D. : The Beginnings of Netherlandish Canvas Painting 1400-1530
For painting techniques, the most recent and comprehensive account is:
“The Methods and Materials of Northern European Painting 1400-1550, in National Gallery Technical Bulletin, 18 {1997],pp. 6-55.
Lecture Programme
Two lectures per week held on Wednesdays at 11-1pm.
The Fifteenth Century
July 26 Introduction: The Northern Renaissance as a Concept
Painting and Sculpture in Burgundy
Aug. 02 Manuscript Painting in France
Robert Campin
09 Painting in Bruges (1): Van Eyck I
Van Eyck II: The Ghent Altarpiece
16 Rogier van der Weyden
Hugo van der Goes
23 Painting in Bruges (2): Hans Memling
Painting in Bruges (3): Gerard David
30 Hieronymus Bosch I
Hieronymus Bosch II: The Garden of Earthly Delights
Mid-semester Break 4 September- 16 September
Sept. 20 Class test for 203. Assignment for 303 to be announced
The Sixteenth Century
27 Introduction: Dürer's visit to the Netherlands in 1520-21
Painting in Antwerp: Quinten Metsys
Oct. 04 Landscape Painting: Joachim Patinir
Jan Gossaert and Romanism
11 Northern Painters in Italy: Van Scorel and Heemskerck
Bernard van Orley and Tapestry Making
18 Pieter Bruegel I
Pieter Bruegel II
25 Market Scenes: Aertsen and Beuckelaer
Painting in Haarlem: Hendrick Goltzius
End of Lectures
Study Break and Exams 28 October – 20 November
Tutorial Programme
Tutorials will begin in the second week of the Second Semester. The topics are as follows:
Week beginning
Week 02 Techniques of 15th Century Painting
03 The Altarpiece
04 Religious Subjects in Northern Art
05 Italian Attitudes to Northern Art
06 The Portrait in Northern Art
Mid-semester break 4-16 September
07 Drawing and Underdrawing
08 Guild and Workshop Practice
09 Landscape Painting
10 Printmaking
11 Genre and Low Life Painting
12 Mannerism in the Northern Netherlands
End of Tutorial Programme
Course summary:
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