Course syllabus
SEMESTER 1, 2019
15 points
Teacher: Linda Tyler
Course delivery format:
Lectures - Tuesdays and Thursdays 2pm - 3pm
Tutorials - Tuesdays 3pm - 4pm, Wednesdays 12pm - 1pm and 2pm - 3pm
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Summary of Course Description:
An introduction to the history and theory of museums, and to institutional collecting and the interpretation of culture. The focus will be on the role of museums in colonisation and nation building, involvement in globalising processes as well as the opportunities museums offer for social advocacy.
Aiming to provide a wide-ranging and challenging introduction to the theoretical issues involved in contemporary museum practice as a sociologically-informed and socially-situated discipline, this course will encourage the development of critically aware perspectives on professional practice and research processes.
The aim of this course is to familiarise students from a range of subject specialisms with current issues in museology, and the ways in which museums have been developing from storehouses of culture and centres of authority to flexible places which engage with communities and invite audiences to author their own museum experiences.
Examples will be drawn from museums in Europe, North America, Latin America and the Caribbean, and Asia but there will be a special focus on Australia and New Zealand.
The analysis of case studies will enable the identification of key themes in museum practice today such as the politics of representation; contestation between demands for access to collections and the need for preservation and control; repatriation of collections and human remains and the impact of digitisation imperatives on the use of collections. Emphasis will be given to critically analysing the role of museums locally in the building of the nation-state as well as the impact of post-colonialism and de-colonisation on local museum practice. The potential for social and historical criticism in museum practices and the importance of the critical perspective of audiences and communities will be examined.
Classes will explore recent controversial cases in the museum world in order that students will gain critical insight into different aspects of museum practices and community engagement.
Course outcomes:
On completion of the course, students will be able to:
- show an understanding of both theoretical and practical approaches to key issues in the field of museology;
- demonstrate a familiarity with, and express informed opinions about, current museological debates;
- critically assess literature and develop a structured written argument based on it.
Assessment Summary:
100% coursework comprising 6000 words over 2 assignments over 1 semester.
Assignment 1: Exhibition review. 40%. 2500 words.
Assignment 2: Exhibition proposal. 60%. 3500 words.
Weekly Topics:
An introduction to the history and theory of museums, and to institutional collecting and the interpretation of culture. The focus will be on the role of museums in colonisation and nation building, involvement in globalising processes as well as the opportunities museums offer for social advocacy.
1 |
5 March |
Introduction: Museums, Artefacts, and Meanings |
What is a museum? |
2 |
7 March |
Museums and Multiculturalism |
|
3 |
12 March |
The Reticent Object Barbara Kirshenblatt-Gimblett lecture tonight 6pm |
Thinking (with) Museums: From Exhibitionary Complex to Governmental Assemblage
|
4 |
14 March |
The Politics of Museum Display |
|
5 |
19 March |
Museums and their Communities PCAP, Kingitanga |
Auckland Museum visits |
6 |
21 March |
Maori and Museums Guest Lecture by Ngarino Ellis |
|
7 |
26 March |
Case Study: West Australian Museum in Perth Guest Lecture by Dr Nigel Bond |
|
8 |
28 March |
Getting to Our Place: Museum of New Zealand Te Papa Tongarewa EXHIBITION REVIEW DUE 40% |
Rewriting the Script: Te Papa Tongarewa the Museum of New Zealand |
9 |
2 April |
Getting to "Our Place" MONZ Te Papa Tongarewa. NO TUTORIALS THIS WEEK |
No Tutorials this week. |
10 |
4 April |
Critiques of the Museum of New Zealand Te Papa Tongarewa |
No Tutorials this week |
11 |
9 April |
The Art Museum and the Ritual of Citizenship |
Change and Continuity: Art Museums and the Reproduction of Art‐Museumness
|
12 |
11 April |
Art Museums in Aotearoa |
|
MID-SEMESTER BREAK: 15-28 April 2019 |
|
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13 |
30 April |
The empire strikes back: repatriation and restitution |
A Critique of Museum Restitution and Repatriation Practices
|
14 |
2 May |
Seminar |
|
15 |
7 May |
Meeting the public |
|
16 |
9 May |
Seminar |
|
17 |
14 May |
Decolonising the museum |
Museums in Transformation: Dynamics of Democratization and Decolonization
|
18 |
16 May |
Seminar |
|
19 |
21 May |
The pop-up museum: a new typology |
Moving Out: Museums, Mobility, and Urban Spaces
|
20 |
23 May |
Doris de Pont, New Zealand Fashion Museum ESSAY DUE 60% |
|
21 |
28 May |
Difficult Histories: Slavery, Apartheid and Holocaust Museums Museums and Trauma: the Canterbury earthquake experience |
|
22 |
30 May |
Seminar |
|
23 |
4 June |
Museums and Sex: Special lecture by Siren Deluxe |
TBA |
24 |
6 June |
Seminar |
|
Recommended Text:
The international handbooks of museum studies
Workload and deadlines for submission of coursework:
Exhibition Review due on Thursday 28 March 2019
Essay due on Thursday 23 May 2019
The University of Auckland's expectation is that students spend 10 hours per week on a 15-point course, including time in class and personal study. Students should manage their academic workload and other commitments accordingly. Deadlines for coursework are set by course convenors and will be advertised in course material. You should submit your work on time. In extreme circumstances, such as illness, you may seek an extension but you may be required to provide supporting information before the assignment is due. Late assignments without a pre-approved extension may be penalised by loss of marks – check course information for details.
Course summary:
Date | Details | Due |
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